![]() Big E shines again on the boom-bap 1980s reminiscent “The Legendary DJ Screw” (tell me you can’t hear T La Rock murdering this track). As much as I like how Bun B., Devin the Dude and Gator Main complement each other, you could just as easily listen to an instrumental-only version of this track. There’s a way to weave together acoustic and electric guitar with double and electric bass and Big E’s track offers melodic riffs and hints for future reference. That’s why only he can rap the way he does.Īnd the Big E produced “On One” is a clinic in how to use strings and guitar in Hip-Hop – a taboo subject to this day it seems. is how ‘simple’ his flow appears to be – like drawing a straight line, though, it’s much harder to do than you think. Arrangements that let his voice breathe and his reliable end-rhymes shine, are what work, not tracks filled with distracting effects. The Epilogue is heavy with tracks that lean in the upper mid-tempo pocket but there is plenty of variety and nuance.īut even if the tracks were boring, which they aren’t, what can’t be forgotten is what makes Bun B. Inkredible, DJ Khalil, and The BlackOut Movement - as formulaic and thin was odd to me. His assessment of the album’s production – provided by Steve Below, Big K.R.I.T., Big E, Mr.
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